Latest Writing
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INTERVIEW WITH Raegen Pietrucha
FWR: To start, I was hoping you might speak about the pull of Greek mythology, both in its use as a framing device for some of the poems and a source of imagery in others. RP: When I drafted my first poem about Medusa way back in 2007, it was about a different subject entirely.…
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INTERVIEW WITH Matthew Olzmann
Matthew Olzmann’s latest collection, Constellation Route, is out now from Alice James. He has published two previous collections, Contradictions in the Design and Mezzanines, and he has received fellowships from Kundiman, the Kresge Arts Foundation and the Bread Loaf Writers’ Conference. FWR: Can you speak on the genesis and organization of Constellation Route? MO:…
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INTERVIEW WITH Clifford Thompson
Clifford Thompson is the recipient of a Whiting Writers’ Award for nonfiction in 2013 for Love for Sale and Other Essays, published by Autumn House Press. He has also published a memoir (Twin of Blackness), a novel (Signifying Nothing) and a nonfiction book (What It Is: Race, Family, and One Thinking Black Man’s Blues). Thompson’s…
POETRY
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JUNE MONTHLY: In Solidarity with the Palestinian People
Nearly a year after the October 7 Hamas terrorist attack and Israel’s subsequent escalation of a decades-long project of state-sponsored genocide of the Palestinian people, Gaza continues to face deadly bombings and attacks from Israel. According to Gaza’s Health Ministry, the death toll of Palestinians is in the tens of thousands, with no sign of…
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INTERVIEW with ROBIN LAMER RAHIJA
Robin LaMer Rahija‘s first full length collection, Inside Out Egg, was released in April. Ada Limón writes that “each poem contains the whole unbound strangeness of the human experience–the offhand remark, the blur of being in a body– all of this is written with a humility and understated wit that both growls and sings….” We were…
FICTION
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DUCK, DUCK, HORSE by Jeff Frawley
The lumber, I tell Patricia, will soon be a fence. I’ve hired a crew. We’re at the window. She’s pinching the mole on my neck. She asks, But Katrin, what about the cost? The fence will consume what remains of my settlement money, that sum secured by lawyers after I fled from the Fix. But…
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BLINDKEY POINT by Norris Eppes
Most Blindkey Point locals thought the help-line stickers were enough. Tilda disagreed. Without answers to the strange phenomenon, they built the Here For You Center. It was a building full of skylights. There were four round tables, varnished wood. The backs of the white chairs were curved like…
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HEARTWOOD by Rose Skelton
On the day after Hazel died – it was a Tuesday afternoon in early March – George stood at his woodworking bench, whittling a bowl. He pressed the piece of yew down, and used a bowl gouge to scoop a smooth sliver of the pinkish-white wood so that it curled upwards and away, falling…
TRANSLATION
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THREE POEMS by Álvaro Fausto Taruma trans. Grant Schutzman
CEMETERY OF THE DROWNED To my shipwrecked brothers on the island of Inhaca As your hymn hangs above the mouth of the castaway I call out your name, I call you with this tongue whose words are more than just a soft murmur, a sob, a liquid wound, a widow’s voice, an estranged orphanhood beyond…
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THROUGH THE LAKE, THROUGH THE WATER by Johannes Anyuru trans. Brad Harmon
THROUGH THE LAKE, THROUGH THE WATER The beeches stand there, imposing, untouched,steeped in time: I wanderthrough the tall yellow hall of leavesand listen to the openchords: October, whoever cries herecries inwards,the wood bridge has sucked the salve dry.The underworldly bamboo flutes resound through the lake, through the water, the wind islead poured into stone molds.…
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THREE POEMS by Sandra Moussempès trans. Carrie Chappell and Amanda Murphy
NON-IDENTIFIED FEMININE OBJECTS Cinematic princesses escaping from an Eastward facing convent have long known the limits of where they can go Fatigued from hours of forest walking, they have taken refuge in a haunted house, abandoned since 1972, they now know that at any moment the story could stop The film could disintegrate, and they…
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